Buy here https://checkout.picturestees.com/154878733-1353406671.html ATLiens is a surprise. Released
in 1996, when Atlanta groups like TLC exploded and eventually put the city on
the map, its title accurately depicts OutKast's public image that the release
of the album was made. . On their Southern debutalisticadillacmuzik, their 1994
debut, Kast appeared as an unusual talented duo of straightforward MCs loyal to
the ATL sound. There are signs that Big Boi and Dre intend to push envelope,
but they are subtle enough to be accepted as pure creatures for a great G-Funk
record.
OutKast is probably the only ones in their genre that I can really hear
and really, really enjoy. Good man evaluation. I never really paid attention to
Outkast until I heard this album a few days ago. I just love the production and
the beat, everything about ATLiens is very smooth and wonderful. OutKast named
themselves in the rap community with their debut album
Southernplayalisticadillacmuzik, so when their second ATLiens project came,
their eyes appeared on the duo.
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After the single, 'Elevators (You And Me)',
became their biggest hit, reaching # 12 on the Billboard Top 100, even
following the lead, resulting in the album becoming a hit. greater than the
first offering. It would take them until 2000, with the release of Stankonia,
to really become a stabilizer in the mainstream music business, but ATLiens
started the movement. OutKast will only grow better in the years to come,
ATLiens is a great work on its own, worth listening to from all rap fans.
The
only issue I have with this profile, and any OutKast album for that matter, is
Big Boi: I simply do not fuck with him. I know, that's my loss. The number of
times I want him to be higher than all the Metacritic points of the combined
OutKast, but I can not get him. I'm also not a big fan of the production on the
ATLiens, but it's absolutely not bad in any way. But do not let my Big Boi
problem or nitpicking production frighten you from this incredible work, in my
opinion, a necessary hip hop.
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